This interesting article by Salon’s Glenn Greenwald details how The New York Times knew about the work of Raymond Davis for the CIA (including Blackwater) but concealed it because of pressure from the government.
Earlier today, I wrote in detail about new developments in the case of Raymond Davis, the former Special Forces soldier who shot and killed two Pakistanis on January 27, sparking a diplomatic conflict between the U.S. (which is demanding that he be released on the ground of “diplomatic immunity”) and Pakistan (whose population is demanding justice and insisting that he was no “diplomat”). But I want to flag this new story separately because it’s really quite amazing and revealing.
Yesterday, as I noted earlier, The Guardian reported that Davis — despite Obama’s description of him as “our diplomat in Pakistan” — actually works for the CIA, and further noted that Pakistani officials believe he worked with Blackwater. When reporting that, The Guardian noted that many American media outlets had learned of this fact but deliberately concealed it — because the U.S. Government told them to: “A number of US media outlets learned about Davis’s CIA role but have kept it under wraps at the request of the Obama administration.”
Now it turns out that The New York Times — by its own shameless admission — was one of those self-censoring, obedient media outlets. Now that The Guardian published its story last night, the NYT just now published a lengthy article detailing Davis’ work — headlined: “American Held in Pakistan Shootings Worked With the C.I.A.” — and provides a few more details:
The American arrested in Pakistan after shooting two men at a crowded traffic stop was part of a covert, C.I.A.-led team of operatives conducting surveillance on militant groups deep inside the country, according to American government officials. . . . Mr. Davis has worked for years as a C.I.A. contractor, including time at Blackwater Worldwide, the controversial private security firm (now called Xe) that Pakistanis have long viewed as symbolizing a culture of American gun slinging overseas.